极为愤怒
发表于 2025-3-23 11:55:46
Matt Foleyopment, and an altruistic approach to fostering prosocial behavior. Epstein’s (.) work relates the early trauma of the Buddha’s loss of his mother after childbirth to his resultant view of ‘suffering.’ Epstein explores how this attachment ‘wound’ is mirrored in the Buddhist view that we suffer as th
CESS
发表于 2025-3-23 16:11:50
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无法治愈
发表于 2025-3-23 18:50:04
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CHOP
发表于 2025-3-24 00:08:04
Matt Foleyt of “dominant design”, has noted that innovations, apparently, take place in some geographic locations more often than in others (Utterback 1994: vii). Similarly, Raymond Vernon has emphasized the role of location in regard to the type of innovation by proposing that “the innovations of firms headq
颂扬国家
发表于 2025-3-24 04:16:52
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BAN
发表于 2025-3-24 08:26:52
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insincerity
发表于 2025-3-24 12:48:28
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有害处
发表于 2025-3-24 17:27:40
Introduction: Modernism, Mourning, and the Ghostly,mourning modernisms. The book’s parameters of enquiry are clearly drawn within the period c.1910–1930 and important authors to the study are introduced, including Wyndham Lewis, Richard Aldington, Ford Madox Ford, T. S. Eliot, Virginia Woolf, Elizabeth Bowen, and D. H. Lawrence. Suggesting that mode
MONY
发表于 2025-3-24 20:22:15
Haunted Images, Deadness, and Impossible Mourningich Imagist and Vorticist ideologies of the aesthetic shaped certain models of modernist haunting. Foley argues that in his novel . (1918/1928) Lewis’ Vorticist theory of aesthetic “deadness” is juxtaposed with a ghostly dissonance that is projected onto the novel’s representations of femininity. Th
Locale
发表于 2025-3-24 23:58:06
Melancholia and the Dead in T. S. Eliot’s Aesthetics of Purgatory focus by close reading . (1922) and the “Little Gidding” movement of his . (1936–1942). Sigmund Freud’s model of melancholia is demonstrated to resonate with the pathologies of mourning represented in .’s purgatorial aesthetic, which does not welcome the radical alterity of the spectre. Influenced