ACME
发表于 2025-3-23 12:51:30
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过剩
发表于 2025-3-23 16:48:17
Katri Salminen,Veikko Surakka,Jukka Raisamo,Jani Lylykangas,Roope Raisamo,Kalle Mäkelä,Teemu Ahmanienating the fin de siècle national imaginary. Twenty-first-century Mexico’s narrative cinema has become completely saturated with images of wanton bloodshed, varying in the extent to which they politicize, satirize, stylize, romanticize, or fetishize violence, both formally and thematically.
巩固
发表于 2025-3-23 18:14:09
entative of the first extended discussion of Bailey’s ., the chapter aims both to build on existing discussions relating to “post-Special Period” photography and to contribute to the growing field of scholarly research on the photobook.
滑稽
发表于 2025-3-24 00:40:55
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Adenoma
发表于 2025-3-24 02:25:36
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EXULT
发表于 2025-3-24 06:49:49
Strike a Pose: Directional Cueing on the Wrist and the Effect of Orientationne to what extent the orientation of the user’s wrist affects their perception of directional cues both in static and mobile conditions. It was found that changes in orientation have little negative effect overall, distraction being more of a concern.
Inexorable
发表于 2025-3-24 12:40:49
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独白
发表于 2025-3-24 17:55:04
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largesse
发表于 2025-3-24 19:46:17
Kirsten Rassmus-Gröhn,Delphine Szymczak,Charlotte Magnussononceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the discontinuous continuity of modern art as the aesthetics of works, and in the latter case, discontinuity as the aesthetics of events.
intercede
发表于 2025-3-25 02:15:49
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