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发表于 2025-3-21 20:03:52
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excursion
发表于 2025-3-21 23:27:01
R. G. WhiteMelrose‘s book draws on Bourdieu, de Certeau, Pecheux and Halliday and investigates recent theatre work by singular practitioners, in an attempt to establish the outlines of a ‘new semiotics‘ of dramatic performance.
单色
发表于 2025-3-22 01:30:23
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IRATE
发表于 2025-3-22 08:17:24
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装入胶囊
发表于 2025-3-22 11:35:41
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gain631
发表于 2025-3-22 13:58:03
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转换
发表于 2025-3-22 18:07:09
978-1-4684-7175-5Springer Science+Business Media New York 1965
muster
发表于 2025-3-23 00:04:34
nature of this dependency), what we are looking for are the means to recognise and locate the writerly components which, in intersecting with the diverse ‘models of knowledge’ outlined above, provide the ‘dispositifs’ or grids or ‘enabling structures’, on the basis of which we can constitute the ou
Crohns-disease
发表于 2025-3-23 02:38:25
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A简洁的
发表于 2025-3-23 09:03:22
Robert G. Whitenot to represent, that is theatre’s question!”, Georges Banu (1986) explores the recent northern European fascination with Japanese theatre, made concrete in the Mnouchkine/. presentation of . In so doing he takes up the thread of inquiry into otherness (and its relation to the one, or the given) wh