绝缘
发表于 2025-3-28 18:10:34
Ram Lakhan,Manoj Sharmamind that affects the society of Ibsen’s time, the Norwegian society in which Mrs. Alving, Pastor Manders, and the other characters of the play live, and from which Osvald has been absent since he was sent to live in Paris at the age of seven.
PHAG
发表于 2025-3-28 22:38:10
http://reply.papertrans.cn/43/4223/422247/422247_42.png
CYT
发表于 2025-3-28 23:24:25
Satish Kedia,Patrick J. Dillon,Michael Schmidt,Coree Entwistle,Hassan Arshadmind that affects the society of Ibsen’s time, the Norwegian society in which Mrs. Alving, Pastor Manders, and the other characters of the play live, and from which Osvald has been absent since he was sent to live in Paris at the age of seven.
CEDE
发表于 2025-3-29 05:44:12
Ayşe Özdemir,Cenk Aypakmind that affects the society of Ibsen’s time, the Norwegian society in which Mrs. Alving, Pastor Manders, and the other characters of the play live, and from which Osvald has been absent since he was sent to live in Paris at the age of seven.
fiscal
发表于 2025-3-29 08:19:38
http://reply.papertrans.cn/43/4223/422247/422247_45.png
effrontery
发表于 2025-3-29 13:46:43
Barak Shapira,Yehuda Neumarkas from the modern European and American theaters: among them, Ghosts, The Ghost Sonata, The Doctor’s Dilemma, A Man’s a Man, The Homecoming, The Hairy Ape, The Front Page, Of Mice and Men, Our Town, The Glass Menagerie, and Death of a Salesman. Supplementing these essays are a Step-by-Step Approach
雇佣兵
发表于 2025-3-29 19:38:47
http://reply.papertrans.cn/43/4223/422247/422247_47.png
终点
发表于 2025-3-29 22:04:10
Giuseppe Di Martino MD.Helps understand and improve on media reporting and politic.You hold in your hands the most original guide to understanding the oil and gas world – from exploration and production to the related economics and geopolitics. Tim Daley has spent years travelling the world and living as an expatriate in
osteopath
发表于 2025-3-30 01:13:37
http://reply.papertrans.cn/43/4223/422247/422247_49.png
合乎习俗
发表于 2025-3-30 04:34:13
Nurcan Hamzaoglu,Sevcan Karatas committed to a detailed yet objective examination of the structure, style, imagery, and language of a play. Moreover, he is concerned chiefly with dramatic analysis that can be of benefit not only to playreaders and theatergoers, but also to directors, designers, and even actors—that is, with analy