Salivary-Gland
发表于 2025-3-30 10:49:52
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反话
发表于 2025-3-30 15:10:38
,On Modelling Harmony with Constraint Programming for Algorithmic Composition Including a Model of St Programming (CP) is a paradigm based on explicitly encoded compositional rules. The paradigm allows to directly implement traditional rules, such as rules found in music theory textbooks, as well as non-standard rules, e.g., rules formulated by composers to model their own composition techniques w
表脸
发表于 2025-3-30 18:42:29
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一再遛
发表于 2025-3-30 23:05:49
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使长胖
发表于 2025-3-31 01:06:06
Machine Improvisation in Music: Information-Theoretical Approach,t 1998 universal classification modeling of music as an information source, style mixing using joint information source, variable-length motif dictionary improvisation based on universal prediction, and use of information dynamics for symbolic approximation in the factor oracle machine improvisation
慌张
发表于 2025-3-31 07:04:08
Folk the Algorithms: (Mis)Applying Artificial Intelligence to Folk Music,stions about the meaningful evaluation of such AI, and argue that music practitioners should be integral to the research pursuit. We ground our discussion in specific music AI that model symbolic transcriptions of traditional dance music of Ireland and Scandinavia. Finally, we discuss several ethica
interference
发表于 2025-3-31 12:27:06
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MORT
发表于 2025-3-31 13:53:27
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弄污
发表于 2025-3-31 18:36:37
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Picks-Disease
发表于 2025-3-31 22:17:21
Michael Browning,James Schummers,Scott Bentzenerative neural music models in terms of rate-distortion theory. This information-theoretical framework offers a novel view of man–machine creative music interaction as a communication problem between an artificial agent and a musician, seeking optimal trade-off between novelty and stylistic imitation under scarcity constraints.