Bernstein-test 发表于 2025-3-23 10:22:13
https://doi.org/10.1057/9781137034557and his apostles and suffer passively (Belsey 1985, pp. 94–5, 110). As St Paul in the same passage had reported that the Lord said ‘Vengeance is mine’ (Romans 12:19), retribution must be left to divine intervention. However, as we have also seen, contemporaries were distinguishing regicide from tyrannicide, private vengeance from public vengeance.无意 发表于 2025-3-23 15:21:38
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http://reply.papertrans.cn/43/4207/420645/420645_13.pngepinephrine 发表于 2025-3-24 00:39:09
Theatrical conditionsed. I shall begin there, and then examine the way in which the play’s structure is inscribed in the consciousness of the characters, paying attention to devices of interruption, defamiliarisation and linguistic play. The thrust of my argument will be to demonstrate the amount of ethical awareness thgenuine 发表于 2025-3-24 02:30:12
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Dramatic structureexpend more than the usual theatrical resources to stage the court of Elsinore. ‘Denmark’s a prison’, says Hamlet [..ii.243], and, to create the claustrophobia Hamlet feels, the King’s Men used not an oppressive set but a large number of players. (The point was made for modern audiences by the Sovie集中营 发表于 2025-3-24 10:53:39
http://reply.papertrans.cn/43/4207/420645/420645_17.png草率男 发表于 2025-3-24 18:09:00
The conscience of the princelic order or ‘economic system of his psyche’. Not only is his father dead and his mother precipitately remarried so that he has, in another formulation of Lacan, ‘lost the way of his desire’ (1977, pp. 12, 14), but he has been displaced as heir-presumptive. Towards the end of the play he attempts toNebulizer 发表于 2025-3-24 19:15:47
http://reply.papertrans.cn/43/4207/420645/420645_19.png越自我 发表于 2025-3-25 01:13:47
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