Microaneurysm 发表于 2025-3-25 07:20:10

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Volatile-Oils 发表于 2025-3-25 09:07:09

https://doi.org/10.1007/978-1-4612-3132-5 how Mo Yan uses the rhetorical treatment of three inconspicuous memory elements in the text, which then appear as intergenerational metaphors, ideological fantasy, and memory field, to make the individual memory of Mo Yan and the collective memory of that era clearly visible.

FLAIL 发表于 2025-3-25 15:40:18

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变白 发表于 2025-3-25 16:39:17

https://doi.org/10.1007/978-3-642-69129-4s realism and allegory, are taken to extremes. More uniquely, he successfully combined these two strategies by all means and brings out a brand new way, which makes readers focus on the magic among the chapters and feel horrible and amazing.

开始没有 发表于 2025-3-25 23:50:19

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conjunctiva 发表于 2025-3-26 02:06:18

Mo Yan and the Chinese Spirit,ch are hard for Chinese to face up. He constructs the characteristics of Chinese tradition and culture, and propagates the wider aspect of Chinese spirit in his works. He displays his merriment and cruelty, openness and floweriness in front of his readers, making him infinitely far away from, but also infinitely close to his era.

FLIC 发表于 2025-3-26 06:28:39

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Antioxidant 发表于 2025-3-26 11:23:15

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开始发作 发表于 2025-3-26 15:03:28

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Project 发表于 2025-3-26 16:46:51

,Mnemonics: Intergenerational Metaphor, Ideological Fantasy, and Memory Field: A Reading of Mo Yan’s how Mo Yan uses the rhetorical treatment of three inconspicuous memory elements in the text, which then appear as intergenerational metaphors, ideological fantasy, and memory field, to make the individual memory of Mo Yan and the collective memory of that era clearly visible.
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查看完整版本: Titlebook: Hallucinatory Realism in Chinese Literature; Essays on Mo Yan and Lin Jiang Book 2023 The Editor(s) (if applicable) and The Author(s), unde