革新
发表于 2025-3-25 05:20:03
Kinetic and Kinematic Indication Errors in Gyroscopic Instruments,ments themselves. This becomes particularly important in the case of the so-called rectifying effects where, as a result of certain unsymmetries that are inherent in the system, there may occur some unilateral drifts or some unilateral disturbing torques. Disturbances of this kind may be caused by:
厨师
发表于 2025-3-25 10:22:11
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绅士
发表于 2025-3-25 14:37:57
T-Center St. Marx, Wien / ViennaThe tensor of inertia of a rigid body can be represented in the form . Both the moments of inertia A, B, C and the products of inertia D, E, F here appear as the constitutent elements of the tensor of inertia. They are subject to the frequently used inequalities ..
Outshine
发表于 2025-3-25 19:42:38
https://doi.org/10.1007/978-1-349-17123-1According to the type of friction and the place where it comes into play, a cardanic suspended gyro will become subject to various types of phenomena that are of importance as regards the technical applications of such gyros.
maculated
发表于 2025-3-25 22:35:02
Fundamentals,The tensor of inertia of a rigid body can be represented in the form . Both the moments of inertia A, B, C and the products of inertia D, E, F here appear as the constitutent elements of the tensor of inertia. They are subject to the frequently used inequalities ..
incubus
发表于 2025-3-26 01:01:39
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和蔼
发表于 2025-3-26 04:42:05
https://doi.org/10.1007/978-1-349-20259-1ments themselves. This becomes particularly important in the case of the so-called rectifying effects where, as a result of certain unsymmetries that are inherent in the system, there may occur some unilateral drifts or some unilateral disturbing torques. Disturbances of this kind may be caused by:
Hemodialysis
发表于 2025-3-26 10:52:35
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palliate
发表于 2025-3-26 14:05:31
Gyrodynamics978-3-7091-2878-7Series ISSN 0254-1971 Series E-ISSN 2309-3706
步履蹒跚
发表于 2025-3-26 18:33:40
Filmed, Felt, and False Rhythms: Dance Videos and an Embodying “Home” in Post-migrationicate narratives of transmission and cultural memory, as these are reshaped by technological developments. It addresses, more specifically, the sensory and affective experience procured by filmed dance/music circulating within transnational music and dance circuits connecting artists and fans from f