Genteel
发表于 2025-3-25 03:33:12
Environmental Distribution and Fate of Pesticides. A Predictive Approach,n introduced into the natural systems. Some of these compounds are quickly degraded or transformed into natural or inert substances, others are long living and easily transported far from the immission areas.
施舍
发表于 2025-3-25 10:22:47
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彻底明白
发表于 2025-3-25 14:57:00
Galileo Galilei, The Tuscan Artist mm3-dm.) in acrylic-miniglasshouses which were climatized according to the microclimate outside. At 600 mm.-dm., plant growth and production were enhanced by 20–40% compared to cultures at 340 mm.-dm.. Only the seed weight of the clover species increased by max. 28% with elevated CO. concentration
Cloudburst
发表于 2025-3-25 17:21:12
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Hyperalgesia
发表于 2025-3-25 22:23:32
Cynthia Freelandducational research method in our self-studies to explore the influences on our academic identities. The research question for our chapter was: “What did we learn about influences on our academic identities through sharing our use of creative nonfiction?” Using literature and film as devices for cre
uveitis
发表于 2025-3-26 03:10:36
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Amylase
发表于 2025-3-26 06:07:37
Thomas Schulzern generators of swallowing and breathing within the brainstem, various factors modulate the coordination of swallowing and breathing. Swallowing normally occurs during expiration, and respiration after swallowing resumes with expiration. However, swallowing can occur immediately following inspirat
付出
发表于 2025-3-26 09:05:06
overlap among a defined set of organizations. Specifically, we emphasize four mechanisms: isomorphism; heritage of practices; market selection; and resource constraints. These mechanisms operate globally and shape general practice. However, they may also impact the choices made with respect to IP m
Emmenagogue
发表于 2025-3-26 13:20:34
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审问,审讯
发表于 2025-3-26 18:17:28
Impossible Spaces? Liminal Space and Cross-Generational Love in Ann Hui’s ve and image, history and memory. In its foregrounding of place, the body and intimacy, and its disruption of linear history in favour of the fragmented, rhythmic, and everyday, it argues, the film operates at once as a ‘memory text’, in Annette Kuhn’s (2000) terms, and as a profoundly political cri