BOOM 发表于 2025-3-26 21:56:54
http://reply.papertrans.cn/39/3882/388133/388133_31.pngIngredient 发表于 2025-3-27 04:51:25
Joseph Carroll,Jonathan Gottschall,Daniel J. KrugeConclave 发表于 2025-3-27 08:56:56
http://reply.papertrans.cn/39/3882/388133/388133_33.png琐碎 发表于 2025-3-27 12:09:13
Didier Sébilleau,Keisuke Hatada,Hubert Ebertibuted to them, on average, the characteristics for which readers feel an aversion and of which they disapprove; (4) that protagonists would most completely realize the approbatory tendencies in reader response; and (5) that antagonists would most completely realize the aversive tendencies. Taken inFester 发表于 2025-3-27 15:54:42
https://doi.org/10.1007/978-1-4471-1271-6ys up for grabs, dependent entirely on the interpretive framework that critics might choose to deploy. Many critics caught somewhere in between intuitive determinacy and theoretical relativism compromise by adopting one or another version of “pluralism”—the idea that many possible interpretive frame音乐戏剧 发表于 2025-3-27 20:13:49
https://doi.org/10.1007/978-94-010-9534-1s more; they do not wish one sex to succeed more than the other; and they do not regard the success of either sex as more frequently a main feature in the outcome of the narratives. What this means is that “agonistic structure” does not divide along lines of male and female. Characters are not goodFactorable 发表于 2025-3-28 00:07:35
http://reply.papertrans.cn/39/3882/388133/388133_37.png完成才能战胜 发表于 2025-3-28 05:38:18
Graphing Jane Austen978-1-137-00241-9Series ISSN 2945-7297 Series E-ISSN 2945-7300全能 发表于 2025-3-28 07:42:30
http://reply.papertrans.cn/39/3882/388133/388133_39.png嘲弄 发表于 2025-3-28 14:17:31
http://reply.papertrans.cn/39/3882/388133/388133_40.png