–吃 发表于 2025-3-26 22:17:12

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HERTZ 发表于 2025-3-27 02:58:19

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返老还童 发表于 2025-3-27 09:11:43

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BATE 发表于 2025-3-27 13:10:08

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precede 发表于 2025-3-27 15:39:57

Shadowing the Dead: First Person Narration in ,tion by introducing the double narrative which deconstructs a unified speaking subject and thus gendered identity. Rather than two gendered narrators, we are presented with the ghostly signifiers of gendered narration, and these ghostly presences wander at will and indiscriminately. . presents a pro

anthropologist 发表于 2025-3-27 21:34:58

,Shopping for an “I”: Zola’s ,and the Spectacle of Identity,listic progress. That is, the self turns into a spectacle of dispersal. As we have seen in Dickens’s ., the self is a buried text of images that resurfaces in changed forms in the novel through the dynamics of the multiplot and through buried first person narration. While Dickens’s novel focuses on

无法取消 发表于 2025-3-28 00:46:03

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有其法作用 发表于 2025-3-28 05:41:27

,Grave Narrations: Dickens’s Later Writings,form of narration is gothic and makes its appearance in full force in .. We have come to view the Victorian novel as representative of high realism; however, I argue that the Victorian novel is obsessed with buried secrets, returns from the dead, and ghosts. Narration itself at the supposed apogee o

清楚 发表于 2025-3-28 07:37:08

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bronchiole 发表于 2025-3-28 13:31:03

Book 2012ry systems, especially multiscale modeling and coupled simulations. The cardiovascular and respiratory systems are tightly coupled, as their primary function is to supply oxygen to and remove carbon dioxide from the body‘s cells. Because physiological conduits have deformable and reactive walls, mac
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查看完整版本: Titlebook: Gothic Returns in Collins, Dickens, Zola, and Hitchcock; Eleanor Salotto Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2