concession 发表于 2025-3-21 17:22:58
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Landscapes of the First World Warnds, but that this ‘rock habitus’ had to be sensitized to the properties of different musics, and that it was significantly affected by musicians’ gender and race. Further, the chapter considers how affiliation with different editorial projects shaped critics’ evaluative discourses.circuit 发表于 2025-3-22 11:44:48
Wesentliche Merkmale der Postmoderne,ed vis-à-vis different socio-historical contexts. More generally, the chapter highlights the role of music magazines as public spheres ripe with conflict and power asymmetries (Fraser .), but which nonetheless enhanced a reflection about the inequalities affecting Italian youth.anthropologist 发表于 2025-3-22 14:51:36
Globalization and Artistic Legitimation: Reconceptualizing Bourdieues are mobilized by competing groups of experts (‘legitimation struggles’); and the reception of their cultural distinctions among publics with unequal symbolic and economic resources (‘homologies and asymmetries’).anthropologist 发表于 2025-3-22 19:07:05
Economic Cosmopolitanism: The Case of ,be as ‘loose’ aesthetic boundaries. Moreover, the chapter considers the possibility, unexplored in Bourdieu’s work, that commercial success may be transformed into a form of prestige and symbolic capital.infringe 发表于 2025-3-23 00:15:37
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on.Presents findings in an under-research area: how globaliz.This book. .is the first comprehensive account of how Anglo-American popular music transformed Italian cultural life. Drawing on neglected archival materials, the author explores the rise of new musical tastes and social divisions in late