束缚
发表于 2025-3-28 16:56:52
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Negotiate
发表于 2025-3-28 20:26:37
Promethean Myths of the Twenty-First Century: Contemporary , Film Adaptations and the Rise of the Vioor critical reception and box-office performances of post-millennial adaptations of . suggest this myth may be on the wane, at least in cinema. Mainstream adaptations persist in turning Frankenstein’s creature into a hero and victim in a move that betrays a modern preference for the sympathetic mon
联邦
发表于 2025-3-28 23:46:33
and the Peculiar Power of the Comicssentational strategies of prose and cinema around Frankenstein’s monster before turning to illustration and comics. Prose excels at presenting subjective experience, while cinema is more attuned to the imprint of the external world. Illustration accompanies printed text with the occasional image, bu
不愿
发表于 2025-3-29 03:05:04
Our Progeny’s Monsters: , Retold for Children in Picturebooks and Graphic Novelsaphic narratives. I examine five books: picturebooks . by Neil Numberman (HarperCollins, New York, 2009) and . by Patrick McDonnell (Little, Brown and Company, New York, 2012), graphic novels by Chris Mould (Oxford University Press, Oxford, 1997) and Marion Mousse (Papercutz, New York, 2009), both t
鞠躬
发表于 2025-3-29 07:58:02
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审问,审讯
发表于 2025-3-29 12:33:45
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genesis
发表于 2025-3-29 19:13:34
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SENT
发表于 2025-3-29 21:04:22
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fixed-joint
发表于 2025-3-30 00:50:31
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NEX
发表于 2025-3-30 07:57:56
Online Analytical Processing-Systemege’. Victor’s historical antecedents will be related to Mary Shelley’s circle and look ahead to Gunther von Hagens, known as Dr Death and a modern-day Frankenstein. Female dissection, such as that of nineteenth-century prophetess Joanna Southcott and Sarah Baartman, ‘the Hottentot Venus’, was regard