寄生虫
发表于 2025-4-1 02:38:24
https://doi.org/10.1007/978-3-531-18792-1ne does not have to look far for real-life women art journalists. For example, the real-life figure Cross identifies as the counterpart to Milvain, Wilfrid Meynell, was married to the extraordinarily prolific art critic and poet Alice Meynell.
Estimable
发表于 2025-4-1 09:09:15
Factual & Fictive Subplots: Terence, , censorious slant of Gissing’s crowd scenes, and, in so doing, they inevitably bring to the forefront the question of the author’s ambivalent attitude towards modernity, the ‘paradox’ — as William Greenslade (2001, p. 271) so aptly put it — of a novelist who ‘write so memorably about what he affects to despise’.
Customary
发表于 2025-4-1 10:59:53
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脆弱吧
发表于 2025-4-1 17:01:15
New Woman on Grub Street: Art in the City,ne does not have to look far for real-life women art journalists. For example, the real-life figure Cross identifies as the counterpart to Milvain, Wilfrid Meynell, was married to the extraordinarily prolific art critic and poet Alice Meynell.
prick-test
发表于 2025-4-1 22:27:13
,Gissing’s ,: Urban Crowds, Carnivalesque Subversion and the Crisis of Paternal Authority, censorious slant of Gissing’s crowd scenes, and, in so doing, they inevitably bring to the forefront the question of the author’s ambivalent attitude towards modernity, the ‘paradox’ — as William Greenslade (2001, p. 271) so aptly put it — of a novelist who ‘write so memorably about what he affects to despise’.