EWER
发表于 2025-3-23 12:48:21
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机制
发表于 2025-3-23 15:48:53
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雇佣兵
发表于 2025-3-23 19:41:24
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高贵领导
发表于 2025-3-24 01:34:13
Sad Asian Girls and Collaborative Auto Assemblage: Mobilising Cross-Platform Collective Life Narrat political mission. This chapter considers how the SAGC used multiple digital platforms (a Tumblr blog, a Twitter account, a YouTube channel, an Instagram account, and a print magazine) to mobilise collective and collaborative life narrative that aims to intervene in pervasive stereotypes of Asian g
皱痕
发表于 2025-3-24 05:18:59
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aneurysm
发表于 2025-3-24 06:40:56
Hoaxing Instagram: Amalia Ulman Exposes the Tropes of #Instagirlhood,o portray a fictional character whose story unfolded over several months. Her images, replicating popular tropes of digital autobiographical performance were presented and widely read as “authentic” selfies. This chapter examines how Ulman’s . can be understood as an automedial work that uses networ
DENT
发表于 2025-3-24 13:14:13
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Overdose
发表于 2025-3-24 14:52:29
https://doi.org/10.1007/978-3-663-02562-7of this term to denote: diverse forms of media that present autobiographical performance(s) and which require close attention to the facts of mediation, and a conceptual tool and approach to autobiographical texts of a range of forms, but having particularly useful application for digital and multim
教唆
发表于 2025-3-24 19:46:23
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Highbrow
发表于 2025-3-24 23:10:25
https://doi.org/10.1007/978-981-19-8734-2n’t like girls and preferred to be “one of the guys”. Her online diary, though, tells a different story. What can the tensions between Wrekk’s online self-presentation and her DIY print media self-presentation tell us about navigating subcultural pressures as a punk girl at the turn of the millenniu