断断续续
发表于 2025-3-25 06:53:22
Handbuch interkulturelle Germanistikage’, chimes in Trinny and the camera lingers on their sullen faces. In this ‘mock-umentary’ Trinny and Susannah camp up their class, celebrity and friendship through portraying themselves in country houses, riding horses, being massaged and reaping the benefits of an upper middle class lifestyle. T
正常
发表于 2025-3-25 10:17:04
,Disziplinäre und theoretische Zugänge,Making oneself into a brand, she enthuses, will ensure the ensnaring of a husband — even after 30. Greenwald advises that the potential bride brand will be more authentically herself and, simultaneously, meticulously crafted and cultivated through marketing strategies. These strategies combine brand
echnic
发表于 2025-3-25 11:42:42
Wulf Wülfing,Karin Bruns,Rolf Parrriendships while also noting how they have the potential to generate powerful negative feelings: ‘Behind the curtain of sisterhood lies a myriad of emotional tangles that can wreak havoc in women’s relationships with each other’ (Eichenbaum and Orbach, 1988, 10–11). Indeed, my most cherished friends
公社
发表于 2025-3-25 16:34:08
The Girlfriend Gaze,he students by denigrating their weight, and she also participates in slut-shaming by calling the other girls sluts and whores. These forms of regulation intersect with misogyny. As one of the teachers, Ms Norbury (played by Tina Fey, who is also the writer and therefore a privileged mouthpiece for
优雅
发表于 2025-3-25 21:04:48
Womance,marginalized or rendered benign, and it is women’s ability to shine for and with their girlfriends that drives the narrative. In the womance, the aisle is a highly sentimentalized locus of friendship and reconciliation between women: the two white-gowned sisters in . (2005) express their sibling lov
RECUR
发表于 2025-3-26 02:39:28
Making White Lives Better?, project in 1960s Mississippi, and Skeeter is cast as the girl-heroine who innocently sees through the retro racism of her peers. Although she should represent the generation of second-wave feminists, she is troped through the signifiers of postfeminism: she is girly, happy, thin and relentlessly en
Semblance
发表于 2025-3-26 07:55:58
Catfight,idi replies ‘my favourite stories are my stories with you, my favourite memories are my memories with you’ (‘Don’t Cry on Your Birthday’ 5:1). Heidi and Lauren’s girlfriend break-up veers from sentimentality to crisis. Moreover, the suffering induced by their conflict is heightened because it is cre
参考书目
发表于 2025-3-26 09:35:50
Class and British Reality Television, is employed as a means to generate conflict between women. I explore the affect of friend-ship and female sociality in the UK ‘social work’ television programmes (Skeggs and Wood, 2011, 42), . (Channel 4, 2010–2012) and . (Channel 4, 2003–2009). Not all these programmes are overt examples of girlfr
淡紫色花
发表于 2025-3-26 12:48:33
Conclusion: Feminism, Friendship and Conflict,easily expressed and, as a consequence, collaborations, networks and intimacies can be destroyed. If conflicts between women do not have a collective space to be unpacked then solidarities can implode, leading to the dissolution of projects and manifestos.
极大痛苦
发表于 2025-3-26 18:57:10
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