不怕任性 发表于 2025-3-25 05:09:05

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Tailor 发表于 2025-3-25 09:25:31

5. Passing Through: Marilynne Robinson,eir death, so that its narrator is not so much a ghost writer as a spirit writer. Studying this spirit work, its Transcendentalist influences, its use of analogy, and its references to water, darkness, fire, and the house, Coughlan argues that Robinson presents her characters as transient ghosts, sp

仔细阅读 发表于 2025-3-25 14:04:12

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可能性 发表于 2025-3-25 19:33:54

6. Gone Sometime. Home to Stay: Marilynne Robinson,vival of the spirit after death. Considering the repetition between ., ., and Robinson’s . also, Coughlan argues that these works of generations and inheritances themselves share an inheritance and that these repeating texts are, in turn, peopled by characters twinned in name and deed. At issue are

ALLAY 发表于 2025-3-25 23:29:54

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Gastric 发表于 2025-3-26 01:48:05

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玩忽职守 发表于 2025-3-26 05:07:36

Book 2016pters on Paul Auster,Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternatingwith shorter sections detailing the significance of the ghost in thephilosophy of Jacques Derrida, particularly within the context of his 1993text, .Specters of Marx.. Together, these accounts of phantoms

discord 发表于 2025-3-26 10:18:37

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animated 发表于 2025-3-26 13:58:58

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发现 发表于 2025-3-26 20:24:36

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查看完整版本: Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit