侵略 发表于 2025-3-26 23:38:56

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废墟 发表于 2025-3-27 03:04:05

Book 2020l seem to think so, flocking to auditions for .The Voice .and .Idol .brands or paying to perform at record label showcases in the hopes of landing a deal. The belief that signing a record contract will almost infallibly lead to some measure of success— the “ideology of getting signed,” as Arditi def

thrombosis 发表于 2025-3-27 06:28:25

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ciliary-body 发表于 2025-3-27 12:02:52

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Aerate 发表于 2025-3-27 16:58:01

https://doi.org/10.1007/978-3-322-91182-7es and coaches earn millions each season. Meanwhile, the show seduces viewers at home who come to believe the show provides a pathway to musical success. This affects the attitudes viewers and aspiring musicians have about the recording industry, allowing industry executives to perpetuate the exploitation of musicians.

同步信息 发表于 2025-3-27 20:31:38

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SPER 发表于 2025-3-27 22:11:54

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食品室 发表于 2025-3-28 03:50:10

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大门在汇总 发表于 2025-3-28 09:46:38

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路标 发表于 2025-3-28 14:28:58

Book 2020cultural sociology, critical theory, and media studies, Arditi unfolds how the ideology of getting signed penetrated an industry, created a mythos of guaranteed success, and persists in an era when power is being redefined in the light of digital technologies.  .
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查看完整版本: Titlebook: Getting Signed; Record Contracts, Mu David Arditi Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr