愤世嫉俗者
发表于 2025-3-25 03:48:42
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宽宏大量
发表于 2025-3-25 08:42:47
Interviews with Jan T. Gross (2007/2009) Fear . Strach . Sąsiedzi, Neighbors . Fear, . Strach .
ARM
发表于 2025-3-25 13:38:58
History by Decree? The Commission of Historians of the German Democratic Republic and the People’s Rhort twentieth century and ushered in a new era for German-Polish relations has much to commend it. It seems far less convincing to believe, however, that both peoples have since come to terms with their traumatic past in such a conclusive manner that their common history can now be reduced to readymade lessons for political and moral instruction.
泄露
发表于 2025-3-25 16:32:23
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Hyperplasia
发表于 2025-3-25 20:09:06
Christian Schadow,Serhii Tetora,Dirk Bartelhort twentieth century and ushered in a new era for German-Polish relations has much to commend it. It seems far less convincing to believe, however, that both peoples have since come to terms with their traumatic past in such a conclusive manner that their common history can now be reduced to readymade lessons for political and moral instruction.
大雨
发表于 2025-3-26 01:02:04
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dominant
发表于 2025-3-26 07:09:13
https://doi.org/10.1007/978-3-642-29993-3 “culture of entertainment.” ., a book—or, rather, an art project created by Darek Foks and Zbigniew Libera, who presented it to the Polish public in the autumn of 2005—drops us into the very center of the debate on the presence of the past in its current transformation, or, in other words, on the memory of memory.
verdict
发表于 2025-3-26 10:26:58
https://doi.org/10.1007/978-3-662-47727-4historiography of Poland and the Second World War, I will develop a strategy of how to . these four texts across borders and historical periods, and how the changes in the Polish political landscape during this period have affected its international reception.
expansive
发表于 2025-3-26 13:02:24
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cumber
发表于 2025-3-26 20:38:20
Liberation from Memory: Memory, Postmemory, or Subverted Memory in , by Foks & Libera “culture of entertainment.” ., a book—or, rather, an art project created by Darek Foks and Zbigniew Libera, who presented it to the Polish public in the autumn of 2005—drops us into the very center of the debate on the presence of the past in its current transformation, or, in other words, on the memory of memory.