散开
发表于 2025-3-25 05:19:06
Is There a German-Language Nature Writing? Broken Traditions and Transnational References,how the concept can become meaningful for literary criticism and literary history. Tracing Anglo-American traditions of nature writing in German-language literature, we show the connections of those traditions to ecocriticism and to debates on new nature writing. We also reconstruct thematic lines o
DOLT
发表于 2025-3-25 10:49:08
Barthold Heinrich Brockes and Nature Writing,al phenomena as manifestations of a purposive order that proves the benevolent design of an almighty Creator. Nature writing also deals with the experience of ethically significant plays of forces that link inner and external nature in dynamics beyond human reach, but it can no longer read nature as
Interim
发表于 2025-3-25 14:56:29
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Decline
发表于 2025-3-25 19:01:42
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模仿
发表于 2025-3-25 20:27:33
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Integrate
发表于 2025-3-26 03:39:54
,Fluid “Heimat”: Water and Nature Writing in Theodor Fontane’s ,velogue . (4 volumes, 1862–1882). To date, researchers have assumed that nature is not a primary topic of this work but only a medium in Fontane’s method of linking places to facts and stories. A rereading from a new materialist and ecocritical approach and with a focus on the role of water can demo
削减
发表于 2025-3-26 06:27:37
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烤架
发表于 2025-3-26 10:40:01
,From , to “A Report to an Academy”: Franz Kafka’s Animal Story Read as a Critical Commentary on Wris it seen as self-evident that one can only understand the animals in Kafka’s stories as symbols or allegories for human existence or behavior. The biological, zoological, or evolutionary knowledge incorporated into Kafka’s representations of animals has become increasingly obvious, so much so that
NAV
发表于 2025-3-26 15:52:10
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得意人
发表于 2025-3-26 20:15:25
Wilhelm Lehmann: Nature Writing as a Behavioural Strategy,ral context of the Weimar Republic. The guiding hypothesis is that Lehmann developed, in response to the experience of World War I, literary exercises that resonated with the natural world. His systematic privileging of perception aesthetics over production aesthetics problematizes modernist tenets