努力赶上
发表于 2025-3-25 06:26:47
,“Kampf dem Kampf”: Aesthetic Experimentation and Social Satire in ,,a highly successful Berlin cabaret performance by Günter Neumann, who also wrote the screenplay, the film outdid almost all other rubble films at the box office.. Despite some irritation with the cabaret-inspired form, the contemporary critical response was overall positive as well, and . was awarde
Anthrp
发表于 2025-3-25 09:03:37
Planes, Trains, and the Occasional Car: The Rubble Film as Demobilization Film,inated film industry that preceded it.. During the Allied-imposed . of 1945–1946, there were many calls to abandon the relentlessly entertaining style of the Nazi-coordinated film industry and to instigate instead a socially critical, historically engaged, film-realist approach—and most have charact
跑过
发表于 2025-3-25 13:33:15
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addict
发表于 2025-3-25 18:11:12
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推延
发表于 2025-3-25 21:07:40
Alfred A. Bartolucci,William B. Hillegass of conversation in local pubs, for example, or discussion in the privacy of their “Behelfsheime” (makeshift homes) or “Kellerwohnungen” (generally a euphemism for a cave-like space in the ruins), on a market place, or anywhere else.. Rubble films contribute little to the public memory of these harr
NEG
发表于 2025-3-26 02:26:57
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STING
发表于 2025-3-26 05:28:55
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choroid
发表于 2025-3-26 10:49:01
https://doi.org/10.1007/978-981-33-6804-0r acquaintances, Michael Rott (Viktor de Kowa), has returned to the Regina from his exile in Switzerland. He comes in search of another woman he loved only to find himself accused of having stolen Nelly’s jewels before he himself fled the Nazis. To clear his name, these jewels must be recovered from
可耕种
发表于 2025-3-26 16:11:59
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Exaggerate
发表于 2025-3-26 17:26:02
https://doi.org/10.1007/978-981-99-0534-8he world below. The plane’s metal bars enclosing front and side windows are painted in such a way that they bleed into the architectural structures of the city, indicative of a blurring of all distinctions between interior and exterior spaces, between a pilot’s stillness in relation to his machinery