Bricklayer 发表于 2025-3-25 04:46:50
From Self-Denial to Political Freedom: The Odyssey of Thomas Mann,ing freedom primarily as an escape from life, as Schopenhauer and Wagner had done, to an increasing acceptance of Nietzsche’s existential, freely chosen affirmation of life. And then, in the aftermath of World War I, he moved beyond Nietzsche’s apolitical stance to plunge into the world of political功多汁水 发表于 2025-3-25 10:09:41
http://reply.papertrans.cn/39/3844/384338/384338_22.pngparagon 发表于 2025-3-25 12:48:40
Richard M. Dwyer,Richard G. Blocksentation of pure form, and his aesthetic of pure form had been widely accepted as basic to an understanding of ancient Greek art and architecture and to the field of aesthetic theory in general. So in addition to the appropriate reference to color, the lines from . also pointed up a theoretical posFluctuate 发表于 2025-3-25 15:59:03
http://reply.papertrans.cn/39/3844/384338/384338_24.pngChampion 发表于 2025-3-25 23:24:42
http://reply.papertrans.cn/39/3844/384338/384338_25.png裙带关系 发表于 2025-3-26 00:16:12
Management of Chronic Pain: Medicationing freedom primarily as an escape from life, as Schopenhauer and Wagner had done, to an increasing acceptance of Nietzsche’s existential, freely chosen affirmation of life. And then, in the aftermath of World War I, he moved beyond Nietzsche’s apolitical stance to plunge into the world of political记忆法 发表于 2025-3-26 07:08:17
http://reply.papertrans.cn/39/3844/384338/384338_27.pngheartburn 发表于 2025-3-26 09:19:11
,Freedom and Authority: Goethe’s , and the Greek War of Independence, by the time the Greeks began their struggle to throw off Turkish domination in 1821. In that year, when the Greeks joined a wave of rebellions sweeping across southern Europe, Metternich and the Holy Alliance opposed them, and, in general, Goethe sympathized with Metternich’s conservative policies.Intruder 发表于 2025-3-26 13:07:57
http://reply.papertrans.cn/39/3844/384338/384338_29.pngdialect 发表于 2025-3-26 20:28:06
,From Political Freedom to Self-Denial: Wagner’s , and the Revolutions of 1848,ector) of Saxony, following the successful premiere of his opera . in Dresden the year before. During the decade that followed, he began work on what many regard as his greatest composition, ., but despite the prospect of stability and recognition held out by his appointment, the decade proved to be