predict
发表于 2025-3-27 00:31:47
https://doi.org/10.1057/978-1-137-54222-9Ecocriticism; German, Swiss, and Austrian literature; environmental humanities; Anthropocene; Urban ecol
IDEAS
发表于 2025-3-27 01:43:39
http://reply.papertrans.cn/39/3844/384330/384330_32.png
Bucket
发表于 2025-3-27 08:40:25
http://reply.papertrans.cn/39/3844/384330/384330_33.png
愤世嫉俗者
发表于 2025-3-27 10:29:19
2946-3157 t comprehensive and cohesive volume of essays dedicated to l.This book offers essays on both canonical and non-canonical German-language texts and films, advancing ecocritical models for German Studies, and introducing environmental issues in German literature and film to a broader audience. This vo
唠叨
发表于 2025-3-27 16:24:21
http://reply.papertrans.cn/39/3844/384330/384330_35.png
使虚弱
发表于 2025-3-27 19:59:30
https://doi.org/10.1007/978-3-658-32706-4it within the Anthropocene’s dark drama of floods, earthquakes, storms, nuclear explosions, and climate change. Texts such as Goethe’s ., Kleist’s ., Storm’s ., Pausewang’s ., and Trojanow’s . posit various pastoral moments only to rupture and re-shape them with disasters that nevertheless highlight the human enmeshment with the non-human.
起来了
发表于 2025-3-28 00:28:00
http://reply.papertrans.cn/39/3844/384330/384330_37.png
Tailor
发表于 2025-3-28 03:56:42
http://reply.papertrans.cn/39/3844/384330/384330_38.png
Inordinate
发表于 2025-3-28 08:45:50
http://reply.papertrans.cn/39/3844/384330/384330_39.png
Urologist
发表于 2025-3-28 13:55:51
Europäische Romantik in der Musik Marczak’s Polish-German eco-documentary . (2012). Marczak’s camera also witnesses things that the activists who are his film’s subjects do not, capturing what eludes his protagonists’ Western gazes. Both of these films are cinematic spaces in which rainforest people can be seen and heard, irrespective of their filmmakers’ colonial fantasies.