卧虎藏龙
发表于 2025-3-23 13:14:02
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主动脉
发表于 2025-3-23 16:45:29
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休战
发表于 2025-3-23 19:58:04
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榨取
发表于 2025-3-23 22:22:02
R. Wohlleben,H. Mattes,Th. Krichbaumc, and musical events reveals how the experience of music is shaped by sexist assumptions about women and about how music should be listened to. Musical pleasure does not exist on a universal, transcendental plane. It is informed and shaped by the socio-cultural circumstances of the listener. Hill m
脆弱么
发表于 2025-3-24 05:44:51
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Impugn
发表于 2025-3-24 10:02:01
Gender, Metal and the Media978-1-137-55441-3Series ISSN 2634-6613 Series E-ISSN 2634-6621
Hyperopia
发表于 2025-3-24 12:44:49
Rosemary Lucy HillChallenges the idea that heavy metal is masculine music.Offers a new examination of damage done by myth that all women fans are groupies.Explores the musical pleasure offered by metal to women fans
AORTA
发表于 2025-3-24 18:16:00
https://doi.org/10.1057/978-1-137-55441-3Emo; fans; feminism; gender; groupies; media; metal; music; rock; subculture; women; feminist anthropology
MARS
发表于 2025-3-24 20:58:07
2634-6613 lores the musical pleasure offered by metal to women fansThis book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a musi
violate
发表于 2025-3-24 23:18:09
https://doi.org/10.1007/978-3-322-85755-2ey like. Work of feminist writers on rock music is enlisted to argue that considering women’s listening pleasure gives new insights into the meaning of hard rock and metal music. The assumption that hard rock and metal is a masculine genre neglects important aspects of women’s fandom which diverge from the dominant myths.