GOLF
发表于 2025-3-21 19:15:59
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白杨鱼
发表于 2025-3-21 21:35:55
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enflame
发表于 2025-3-22 01:23:52
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遵循的规范
发表于 2025-3-22 05:20:16
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Lymphocyte
发表于 2025-3-22 10:06:55
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Infinitesimal
发表于 2025-3-22 15:01:19
New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-Fulfillment in inist” influx from the west as daily engagement with brands, products, and celebrity rhetoric has endowed contemporary directors to boldly interpret desire and sexual fulfillment in cinema for an aspirational youth emboldened with the neoliberal narrative. Simultaneously, SVOD platforms like Amazon
Infinitesimal
发表于 2025-3-22 20:25:23
Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinemaerefore negating women’s health in the familial budget. In spite of their best effort, the ironic novelty of representation in the films is progressive, but it lacks any real subversion for it is still nascent and tokenistic. Agency is solely derived from a capitalistic patriarchal focus rendered wi
gratify
发表于 2025-3-22 23:42:00
: The Banality of Rape of the Indian woman protects her from sexual violence, the liberal camp claimed that emancipation of women and breaking-away from patriarchal dogmas would improve their status and contribute to their safety. Despite ideological differences, both parties analysed the circumstances of the rape in sim
Ringworm
发表于 2025-3-23 03:43:56
On Cinematic Transformations, Gender, and Religion: An Interview with Ashish Avikunthakapitalism in which economic and political domination is exercised by financial institutions or financiers rather than by industrial capitalists. SVOD platforms, according to him, are not spaces for innovative forms of cinema. Ideologically, he concludes, these platforms continue to proliferate retro
CAPE
发表于 2025-3-23 09:07:27
from the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commer978-3-031-16702-7978-3-031-16700-3