Canary
发表于 2025-3-25 04:47:59
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统治人类
发表于 2025-3-25 09:28:58
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食物
发表于 2025-3-25 12:22:31
https://doi.org/10.1007/978-1-4471-3368-1hough the film seems to focus on the two characters’ friendship and frustrated escape—a working class housewife and an Eastern European immigrant—the recurrent presence of the Iraq War in the media and even the irruption of death give the filmic text a more nuanced and tragic meaning.
依法逮捕
发表于 2025-3-25 16:25:35
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Mhc-Molecule
发表于 2025-3-25 22:55:13
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相同
发表于 2025-3-26 04:10:17
Bodies, Spaces, and Transitions in Alberto Rodríguez’s , (2012) and , (2014)tes the thematics of gender within the spatial geographies of both films, and poses the idea that the director’s historicizing aesthetic, and the linkage between the spatial and the individual, encourages re-readings of the Spanish Transition and its implications for contemporary Spain.
Cryptic
发表于 2025-3-26 08:07:16
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scoliosis
发表于 2025-3-26 11:16:20
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Cloudburst
发表于 2025-3-26 16:39:51
Home and Sexuality: Queering the Notions of Parenting and Space in , (2004) and de-queering personal space has a corresponding effect on his openness and inhibition about his homosexuality. It is by accepting his parenting role, as well as sharing with his nephew the social spaces that he inhabits, that Pedro finds a balance between both his gay identity and his father figure role.
渗入
发表于 2025-3-26 17:27:35
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