galley 发表于 2025-3-23 10:24:53
Baro and the Founding of the OLF,oss over into the real world, marking cultural anxieties about the ubiquity of media technology and its influence on us. In both . and ., the technological demon seems to have originated in an already antiquated form of image technology: the VHS tape and the Super 8 film.GROWL 发表于 2025-3-23 15:34:27
http://reply.papertrans.cn/39/3817/381688/381688_12.pngAlopecia-Areata 发表于 2025-3-23 20:54:06
Gender and the Nuclear Family in Twenty-First-Century Horror商议 发表于 2025-3-23 23:06:37
Gender and the Nuclear Family in Twenty-First-Century Horror978-1-137-53275-6狂乱 发表于 2025-3-24 03:24:49
,Impossible Womanhood and Postfeminist Hegemony in Peirce’s , and Bertino’s ,dentity problematic in a patriarchal society. Peirce’s version downplays the monstrousness of the title character’s destructive power as well as her abject status, ultimately unlinking the former from the latter.Subdue 发表于 2025-3-24 10:30:24
http://reply.papertrans.cn/39/3817/381688/381688_16.pngMosaic 发表于 2025-3-24 13:15:24
http://reply.papertrans.cn/39/3817/381688/381688_17.pngconvert 发表于 2025-3-24 17:19:05
http://reply.papertrans.cn/39/3817/381688/381688_18.png责任 发表于 2025-3-24 20:01:29
http://reply.papertrans.cn/39/3817/381688/381688_19.pngreflection 发表于 2025-3-25 01:03:22
,Impossible Womanhood and Postfeminist Hegemony in Peirce’s , and Bertino’s ,nsion within liberated femininity. To demonstrate this, I enact two critical moves. First, I compare Stephen King’s and Brian DePalma’s versions of ., written/produced in the mid-1970s at the height of the women’s liberation movement, to Kimberly Peirce’s 2013 adaptation of the same tale to demonstr