漏出 发表于 2025-3-21 20:01:38

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debase 发表于 2025-3-21 21:33:06

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Heart-Rate 发表于 2025-3-22 00:35:18

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Obloquy 发表于 2025-3-22 07:18:29

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hair-bulb 发表于 2025-3-22 11:01:44

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倔强一点 发表于 2025-3-22 14:34:10

Bandar al-Hajjar,John R. Presleyurier’s . feature women with compelling voices, the origin of ‘voice’ and the agency associated with the exercise of oral/aural influence is ultimately located in masculine ventriloquist figures such as Basil Ransom and Svengali. Verena Tarrant and Trilby O’Farrell are represented as feminized ‘dumm

倔强一点 发表于 2025-3-22 17:24:05

https://doi.org/10.1057/9781137396969ineteenth-century narratives of ventriloquism. The poem’s speaker and his female companion are described as walking along a moonlit street and pausing outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical gro

Kinetic 发表于 2025-3-22 21:26:35

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人充满活力 发表于 2025-3-23 02:20:25

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regale 发表于 2025-3-23 08:46:43

978-1-349-34477-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2012
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查看完整版本: Titlebook: Gender and Ventriloquism in Victorian and Neo-Victorian Fiction; Passionate Puppets Helen Davies Book 2012 Palgrave Macmillan, a division o