独轮车 发表于 2025-3-25 06:09:27

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flammable 发表于 2025-3-25 09:47:38

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艰苦地移动 发表于 2025-3-25 14:07:01

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hallow 发表于 2025-3-25 19:29:33

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傲慢人 发表于 2025-3-25 22:13:48

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Intact 发表于 2025-3-26 02:21:48

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笼子 发表于 2025-3-26 06:43:01

Engendering Shrews: Medieval to Early Modern,e category. The widow calls Katherine a ‘shrew,’ and the edgy banter that follows is only broken up by a husbandly intervention that recasts the wives’ countering as friendly homosocial competition between men:

faucet 发表于 2025-3-26 09:35:03

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不在灌木丛中 发表于 2025-3-26 16:06:27

Financial Services and the UK Economy, there is an analogous relationship between the taming of Kate — which involves training her to respond in ways that are perceived as ‘feminine’ — and the training of the apprentice actor who plays her. In these terms, what is interesting are the theatrical . in the shrew’s role, and in particular the training-functions of its . elements.

独行者 发表于 2025-3-26 18:23:34

Building Spring 2 Enterprise Applicationsirection that characterize nearly everything she says and does. Her silent quality, however, as F1 conveys it, is an essential element of the intrigue through which Shakespeare joins her to Lucentio, an action that complements the taming of her sister more profoundly than the version of this action in the modern text.
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查看完整版本: Titlebook: Gender and Power in Shrew-Taming Narratives, 1500-1700; David Wootton (Anniversary Professor of History),G Book 2010 Palgrave Macmillan, a