FERAL 发表于 2025-3-21 17:53:03
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, at the Cinema: Identifying the Generic Parameters of Islamic Films,son may be learnt from watching the film. These devices have been criticised by prominent Indonesian filmmakers for being too formalistic and superficial in their evocation of Islamic principles. Despite the criticisms, the didactic devices are routinely incorporated into the Islamic film genre alon强制性 发表于 2025-3-22 03:04:57
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Gender, Islam, and the Nation in New Order Islamic Films,about proto-nationalism and the Indonesian nation. These images thereby represent the gendered dimension of New Order films that, according to Karl Heider, construct ‘Indonesian nation and culture’. Masculinity in New Order Islamic films emphasises the role of men as restorers of order in a morally掺和 发表于 2025-3-22 10:52:38
Empowered Muslim Femininities? Representations of Women in Post-New Order ,,strates agency, her body is prominently foregrounded in cinematic narratives and visual codes as a site for Islamic and moral issues. She embodies geopolitical discourse through the veil she wears and her Muslim femininity is defined through suffering and abuse. This chapter, however, makes a case f性冷淡 发表于 2025-3-22 16:47:42
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Afterword,e the diversity of religious life in Indonesia. These strategies can be discerned from a gendered perspective in which construction of gender in Islamic Indonesian cinema tends to follow a separatist binary model of analysis which divides gender into cis-gendered femininities and masculinities. Themurmur 发表于 2025-3-23 00:44:39
,Visualising Muslim Women and Men: A Longue Durée,ilmmakers are more inclined to produce narratives that may appeal to the majority of audiences. This may include narratives whose storytelling devices reproduce sexist and titillating material to conform with the assumption that sexual objectification of women sells and that safe images of domestic宴会 发表于 2025-3-23 03:59:20
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