切口
发表于 2025-3-21 17:15:21
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GLIB
发表于 2025-3-21 20:41:00
,Mehrwerte für Netzwerkteilnehmer, the globe hasn’t changed in decades. This chapter describes the problem that the rest of the book investigates. It presents quantitative data that has revealed the continued gender inequality in screenwriting, both in the UK and internationally, then explores what is known about who writes British
certain
发表于 2025-3-22 02:41:48
Lakshmana Kumar Ramasamy,Firoz Khanriting is discursively positioned reveals perceptions and expectations about the role that will be explored in more detail in subsequent chapters. Recurring in the talk of film workers is a belief in special creative individuals and meritocracy, the combination of which ensures that the status quo i
社团
发表于 2025-3-22 05:55:30
https://doi.org/10.1007/978-1-4842-9636-3ocess of crafting the screenplay itself, film workers describe how certain types of inherited and embodied capital are more critical to finding work than qualifications or ability. These include the right appearance, schooling, and even family, as illustrated by the widely tolerated—and even cultiva
Inflammation
发表于 2025-3-22 11:02:11
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correspondent
发表于 2025-3-22 15:55:10
Ethereum: A Gateway to Cryptocurrency,sly discussed requisites of those doing screenwriting labour preclude caring responsibilities. All women—whether they even want or can have children—are penalized by maternal assumption. This chapter illustrates the ways motherhood is naturalized by film workers as women’s desire and women’s work, i
correspondent
发表于 2025-3-22 20:39:38
Blockchain in Einkauf und Supply Chainthe habitus is applied to understand how women may feel—and indeed may .shut out from employment opportunities. Analysing film workers’ talk illustrates how subjective judgements of creative work can be a further barrier to women, even after securing a commission. Focusing on the role of a director
占线
发表于 2025-3-22 22:07:21
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ARIA
发表于 2025-3-23 02:45:00
is so unshakably ingrained in screenwriting work in the UK. It makes arguments for how to make real change a possibility. It moves the conversation forward, from ‘where are all the women?’ to how can women have the value of their stories recognized? From what . must do, to how can film work be more
含沙射影
发表于 2025-3-23 07:07:56
https://doi.org/10.1007/978-3-319-95732-6women; film; creativity; inequality; cinema; employment; film industry; jobs; imagination; injustice; gender; s