人工制品
发表于 2025-3-28 15:12:49
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放牧
发表于 2025-3-28 22:22:36
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任意
发表于 2025-3-29 00:47:56
https://doi.org/10.1007/978-94-009-2516-8 saga owes most of its success and appeal is precisely Martin’s creative process, namely, how he has designed, structured, developed, and made plausible his fantasy world. Game of Thrones is analysed here as a complex, eclectic, and pulp-type universe that borrows from many historical periods, geogr
裙带关系
发表于 2025-3-29 06:11:47
https://doi.org/10.1007/978-3-030-51214-9 references. They take us back to our own sense as a civilization. In this context, it is possible to understand how the appropriation of elements of Antiquity can give depth to a discourse, whether written or visual. Such an appropriation gives plausibility and a familiar scenario to new worlds and
infantile
发表于 2025-3-29 11:17:01
https://doi.org/10.1057/9780230391727ure in a specific space and time in George R. R. Martin’s literary saga, by applying analytical methodologies employed in the fields of archaeology and history to data collected from the novels and the TV series. Accordingly, Westeros and its cultural codes are first contextualised as a feudal socie
杀虫剂
发表于 2025-3-29 14:46:17
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GRAZE
发表于 2025-3-29 18:44:51
Identity, Religion, and Radicalization,llections of essays have been released, one particularly interesting issue has not been addressed: the way the saga presents humanity on the planet as part of a bigger and more powerful system—the ecosystem. Hence, this chapter aims at conducting a textual analysis of the saga from an ecocritical pe
做作
发表于 2025-3-29 23:29:38
Edward R. Sharkey Jr.,Kendra B. Stewarts aesthetic sensibility with ancient epic, I argue that sublimity offers an important interpretive key to such elements as plot structure, world-building and the emotional tenor of Game of Thrones, and highlights its convergence with ancient modes of heroic story-telling. These aspects are further a
策略
发表于 2025-3-30 02:42:55
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