Madrigal
发表于 2025-3-23 09:43:40
,Mapping the Artistic Terrain: 1904–1907,he Wild Knight. The author recognised the positive value of the Wild Knight, and the decision to destroy him contradicts this awareness. Yet the conflict in the style indicates an intuitive knowledge that something is unbalanced.
isotope
发表于 2025-3-23 16:02:54
,Survey: 1925–1935,l insanity. However, by 1925 the problem they posed did not exist for him personally. In the 1925 foreword to the dramatised version of . he notes:.He continues by saying that the world in 1925 is different; it may even be breaking up, but the destruction may let in some fresh air.
执拗
发表于 2025-3-23 20:09:46
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synovitis
发表于 2025-3-23 22:48:05
Update of the Inhibitor-Immunology-Studye incomprehension of the contemporary readers was largely a direct result of the poet’s experimentation with a new form that was only partially successful. Not surprisingly, the form was a combination of the techniques of emblem and metaphor that were the subject of his early critical discussion on style.
表示向下
发表于 2025-3-24 02:51:08
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gratify
发表于 2025-3-24 07:07:42
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鞭子
发表于 2025-3-24 12:24:42
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elucidate
发表于 2025-3-24 17:15:03
Julian Windscheid,Bernadette Goldained the seeds for future developments in the criticism. But the major works of criticism, with their conscious examination and expansion of the artistic ideas, seem to have been necessary to leave the way free for the artist to find new modes of expression. Chesterton’s early artistic work (1891–1
Harbor
发表于 2025-3-24 20:34:09
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facetious
发表于 2025-3-25 02:09:53
B. Haschberger,J. Hesse,M. Heiden,R. Seitze conscious and unconscious control of form. But Chesterton soon realised that the resolution was peculiar to Browning; and he moved on in his criticism of 1904–7 to a further search for different modes of expression. Although he now travelled on a more defined path, it is important to keep in mind