不安 发表于 2025-3-23 13:40:59
第4楼itinerary 发表于 2025-3-23 14:31:26
https://doi.org/10.1007/978-3-030-47523-9poverty; agency; kinship; women on the move; HIV/AIDS; antiretroviral treatment (ART); participant observa反叛者 发表于 2025-3-23 21:26:47
https://doi.org/10.1007/978-94-011-6579-2user seems to have his or her own technique and approach. But in the world of architectural visualizations, there are a few basic modeling types no user can do without: splines, shapes, and meshes. This book does not deal with NURBS, patches, or many of the other powerful modeling types because their usefulness is extremely limited at best.DEFT 发表于 2025-3-23 23:29:49
Arbeitstechnik in den einzelnen Druckbereichen,abelle 16.1). Diese enthalten nicht nur der Praxis angepaßte Begriffsbestimmungen, sondern auch zahlreiche Meßvorschriften und Angaben zu Meßapparaturen. Dadurch sind die in den Katalogen der Herstellerfirmen angegebenen technischen Daten vergleichbar geworden.hidebound 发表于 2025-3-24 04:04:41
http://reply.papertrans.cn/35/3498/349718/349718_15.pngLUDE 发表于 2025-3-24 07:55:29
http://reply.papertrans.cn/35/3498/349718/349718_16.png使无效 发表于 2025-3-24 14:40:02
http://reply.papertrans.cn/35/3498/349718/349718_17.pngconscribe 发表于 2025-3-24 14:51:41
Pratiti Dasgupta,Shubho Chaudhuriulomb-Potential eines Elektrons im Feld der Kernladung ../(4πε..) zugrunde, sondern ein allgemeineres Potential ., das zentralsymmetrisch ist. Wie der Leser aus der klassischen Physik weiß, gilt bei einem zentralsymmetrischen Potentialfeld der Drehimpuls-Erhaltungssatz, der uns schon als Flächensatzjettison 发表于 2025-3-24 19:13:36
Few disciplines have experienced growth comparable to that which we have witnessed for epigenetics in the past decade. The goal of .Epigenetics Protocols, Second Edition .is to highlight select techniques that have been mainstays in the field as well as to cover methods that are especially relevantLAVA 发表于 2025-3-25 02:28:44
Jang Singh my interest led back in time to sift out its span in modern cultural production. What set of practices contribute to its indelible, yet shape shifting propensities? The pursuit of this question is the foundation of this book: to investigate the emerging industries of spectacle as a permeable tradit