人类 发表于 2025-3-26 21:24:11

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确认 发表于 2025-3-27 17:31:23

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rectum 发表于 2025-3-27 21:16:48

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茁壮成长 发表于 2025-3-28 04:32:27

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确认 发表于 2025-3-28 08:27:25

Wendy Olsen tragedies, like Vishal Bhardwaj’s . and . (discussed in the previous section of this volume). These distinct kinds of filmic engagement with Shakespeare are posited on different understandings of the bard’s Indian legacy and the politics of adaptation and appropriation. Further, they suggest differ

HIKE 发表于 2025-3-28 13:30:31

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