合乎习俗
发表于 2025-3-26 21:58:37
http://reply.papertrans.cn/33/3212/321118/321118_31.png
轻率看法
发表于 2025-3-27 05:01:09
http://reply.papertrans.cn/33/3212/321118/321118_32.png
苦恼
发表于 2025-3-27 07:17:54
http://reply.papertrans.cn/33/3212/321118/321118_33.png
chondromalacia
发表于 2025-3-27 11:43:34
Sited Nomadism from the Atlantic to West Africa: Addoley Dzegedeede. Although she was born and educated in the United States, Dzegede considers herself nomadic, undertaking residencies over the last six years across the United States, Europe, and West Africa. I seek to interrogate the political potential of nomadism as expressed in Dzegede’s fabric-based work, p
慌张
发表于 2025-3-27 15:08:27
Alterity in Europe—Occupying Spaces as Feminist Strategy in (Post)Migration Aesthetics: A Conversati Iranian-born artist and activist Parastou Forouhar who employs a powerful feminist language in her art. With artistic techniques such as performative photography, installation, or graphic print, the artist engages with the positionality of the female body and how diversity and ambivalence shape the
收到
发表于 2025-3-27 20:21:01
http://reply.papertrans.cn/33/3212/321118/321118_36.png
Gleason-score
发表于 2025-3-28 00:53:09
http://reply.papertrans.cn/33/3212/321118/321118_37.png
过时
发表于 2025-3-28 05:49:28
Queer Craft and Radical Cuts: Tradition, Transgenderism, and the Malay-Muslim Body in the Work of An in the creation of fictional material bodies. As the artist observes: “. (Without culture, without custom, one is as good as dead).” It is this tension between the conjuring of ., or traditional Malay custom, and Anne’s own position as a transgendered, Malay-Muslim individual, that produces new con
insolence
发表于 2025-3-28 06:14:47
http://reply.papertrans.cn/33/3212/321118/321118_39.png
GEAR
发表于 2025-3-28 12:17:00
http://reply.papertrans.cn/33/3212/321118/321118_40.png