Hemiplegia
发表于 2025-3-25 05:37:30
https://doi.org/10.1007/978-3-031-79791-0orms of togetherness when a 50-milliliter sample of wastewater can be made to represent that togetherness? The fraught relation between sensing and feeling is at the core of Jessica Hausner’s 2019 movie ., an awkward bioethical fable that doesn’t care to deliver on its bioethical premises.
茁壮成长
发表于 2025-3-25 08:28:40
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商业上
发表于 2025-3-25 12:56:34
https://doi.org/10.1007/978-3-642-76709-8roposition 1: Epidemiological realism is not about how realistic representations of epidemic events are. It is about the planetarity of a world governed by epidemiological principles that apply everywhere and explain everything that falls within their purview. Proposition 2 and 3 correspond to the o
AVOW
发表于 2025-3-25 18:22:20
https://doi.org/10.1007/978-3-030-37066-4but it is also what redirects our eyes toward relations that a certain version of realism had relegated to the background. In turn, and because it draws attention to the invisibility of backdrops against which stories ought to take place, more or less independently, epidemiology returns us to the im
Outshine
发表于 2025-3-25 21:28:07
https://doi.org/10.1007/978-3-642-79352-3ve. Early onset Alzheimer disease (AD) represents less than 0.5% of diagnosed cases. With its clear genetic markers, Alice’s Alzheimer lends its exemplarity to the localization argument in the epidemiology of AD and yet her imaginary fate is also a study in entangled relations between narrative and
antidepressant
发表于 2025-3-26 03:58:14
friends, family members, and coworkers to talk about breast cancer screening. There is nothing particularly remarkable about that structure of address unless one remembers that fifty years earlier, the public image of cancer in posters endorsed by the French Ministry of Health consisted mostly of a
Interregnum
发表于 2025-3-26 07:29:31
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galley
发表于 2025-3-26 09:50:30
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责任
发表于 2025-3-26 14:07:29
https://doi.org/10.1057/9781137269959 fevered subjects rehearse endlessly everyday gestures and habits until their zombified body has been fully consumed by them, allowing infrastructures to collapse while crisis ordinariness endures. The horror is cautiously allegorical: if crisis ordinariness doesn’t lead to revolutionary action or a
冒烟
发表于 2025-3-26 17:48:11
Mise en scène, Acting, and Space in Comicsidemiological concern at the end of the nineteenth century. Dust and mold may not be that different from an epidemiological perspective but the distinction this vignette entertains is primarily aesthetic. Dust and mold carry different association. Dust is archival, at once a deposit and a concentrat