PACT
发表于 2025-3-26 22:53:03
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Credence
发表于 2025-3-27 02:19:38
The Making of an Artist,tist. In . (written in 1912; published in 1950) as well as in his essay ‘The Serious Artist’ (1913), he confronted the problem both on the moral and the psychological plane. To few modern poets and artists could Whitman’s lines —‘Camerado, this is no book; / Who touches this touches a man’ — be appl
态度暖昧
发表于 2025-3-27 06:23:40
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Induction
发表于 2025-3-27 10:36:34
,Pound’s Letters in Criticism, Ford Madox Ford. Eliot referred to the masterly nature of Pound’s epistolary style. — a style with its forthright vigour and raciness, matching the provocatively striking nature of what he had to say. Pound himself summed up the secret of his prose style:
Ferritin
发表于 2025-3-27 16:42:51
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Panacea
发表于 2025-3-27 21:43:40
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Congregate
发表于 2025-3-28 00:20:19
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难理解
发表于 2025-3-28 04:49:01
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Ganglion
发表于 2025-3-28 07:25:35
Comparative Analysis and Conclusions, well as into that of others he was personally interested in. On his discussion of poetry, Pound brought to bear his acute sense of contemporaneity as well as of his personal view of tradition as represented by Homer, Ovid, Dante, Chaucer and Shakespeare. Quite early in his poetic career he had come
SEMI
发表于 2025-3-28 11:48:26
Promoting an Inter-organizational Culture,awareness of the conditions of American civilisation — in some ways, no less valid today than when he wrote it — and of whether they were conducive or detrimental to the growth and development of an artist.