夜晚 发表于 2025-3-25 04:20:45
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,‘Bring Order to Your Surroundings’: 1920–29,s: Ravel, Stravinsky and Virgil Thomson, while Aaron Copeland, as well as George Antheil, an experimental composer from America, were soon to arrive. Paris, Ford announced, ‘gyrated, seethed, clamoured, roared with the Arts.’ Artists so crowded ‘the boulevards that you could not see the tree-trunks’ he exclaimed (. 282).malign 发表于 2025-3-25 13:00:39
Book 2004through a detailed account of his development, influence and continued significance. It pays special attention to his role in creating Imagism, Vorticism and the modern long poem, as well as his importance for Yeats, Joyce and Eliot. His roles as editor, translator and critic, plus his attempt to co单色 发表于 2025-3-25 17:55:16
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https://doi.org/10.1007/978-94-009-4520-3 possibility of a balanced Europe’ (Redman 76–7). He also quipped, on another occasion, that the trains between Paris and Rome always stopped in Rapallo so it was easy for friends to drop in (Laughlin . 9).精美食品 发表于 2025-3-26 05:40:36
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,‘The Indifferent Never Make History’: 1930–40, possibility of a balanced Europe’ (Redman 76–7). He also quipped, on another occasion, that the trains between Paris and Rome always stopped in Rapallo so it was easy for friends to drop in (Laughlin . 9).EXULT 发表于 2025-3-26 20:24:37
Hartmann Tyrell,Raf Vanderstraetenth Olga, holding a successful Vivaldi Week in Siena during Christmas 1939 and spending more time in Venice at Olga’s ‘Hidden Nest’ — her small house at 252 calle Querini. Like Sant’ Ambrogio, it became a welcomed refuge. He also began to spend time with the philosopher George Santayana who had recently retired to Italy from Harvard.