FACT
发表于 2025-3-25 03:40:45
Some Fundamentals of Musical Acousticsoject fits in to the bigger picture of global systems of racism, exploitation and destruction. I address the future of adoption, and call for a re-evaluation of its place in Swedish, and global, history. Finally, I discuss the current trends of critical adoption studies and where further research is needed.
颠簸下上
发表于 2025-3-25 10:18:51
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维持
发表于 2025-3-25 14:40:17
https://doi.org/10.1007/978-3-031-38801-9Critical Adoption Studies; racism; Sweden; Critical Whiteness Studies; Swedish exceptionalism; transracia
缩短
发表于 2025-3-25 18:16:50
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jaundiced
发表于 2025-3-25 22:49:43
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eardrum
发表于 2025-3-26 02:02:58
Race, Colonialism, Eugenics, and International Adoption in Sweden,eugenics. I begin by summarising Sweden’s colonial history and its pioneering role in race biology. I discuss how the desire to measure and control Other bodies provided the conditions for the study and widespread practical use of eugenics. I use Sweden’s extensive sterilisation programme as an exam
充满装饰
发表于 2025-3-26 07:21:36
From Flat-Packed Furniture to Fascism: Transracial Adoptees in Myths of Swedish Goodness,ification of, international adoption in Sweden. Discussing the national fantasy of Swedish goodness, I analyse the use of international transracial adoptees in adverts for two seemingly opposing national institutions: flat-packed furniture giants IKEA and the Sweden Democrats (SD), a far-right popul
蛛丝
发表于 2025-3-26 09:49:12
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AVERT
发表于 2025-3-26 13:58:09
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mendacity
发表于 2025-3-26 19:39:31
Representation and Resistance: Challenging Swedish Adoption Desire,hop artist Miss 4Tune (“No Mas Silencio!”. Directed by Linnea Hedlund. Music Video, 3:51. ., June 6, 2019). Her song addresses the recent revelations that hundreds or even thousands of people adopted from Chile to Sweden (and elsewhere) in the 1970s and 1980s were stolen from their families. I also