Concerto 发表于 2025-3-23 13:05:56
https://doi.org/10.1007/978-94-011-3915-1from a signifier that is floating or a signifier that is partially fixed. The form of the signifier is identical in all three cases, but their function is not. This chapter is an exploration of the challenges of theorizing absence through the identification of the empty signifier. A model of signifi骄傲 发表于 2025-3-23 14:48:50
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Not for Twitter: Migration as a Silenced Topic in the 2015 Spanish General Electiontegies (Squires, .. Devon: Routledge, 2016), letting the relations between concepts be more clearly established. The approach is based on the comparison of the presence of the topic of immigration in 16,305 tweets from the Twitter accounts of the main political parties and candidates during the 2015ACE-inhibitor 发表于 2025-3-24 02:11:24
Absence in Visual Narratives: The Story of Iran and Pakistan across ,erage only. It suggests, therefore, the need for a paradigm shift within Semiotics, and calls for an expansion of research on national images to the realm of visual analysis..With the help of a triangulated methodology that draws on both quantitative and qualitative techniques—content, semiotic andALB 发表于 2025-3-24 02:23:17
Critically Illuminating Relevant Absences in Public Sphere Arguments via Digital Mining of Their Webising? If this framing is found to be unstable because of relevant absences, then the argument’s credibility is in doubt. It is a ‘straw man’. A key pedagogical advantage of focusing on weblink content is the student can attain a critical grip on a public sphere argument with an unfamiliar topic in宽敞 发表于 2025-3-24 07:18:19
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What’s Not in a Frame? Analysis of Media Representations of the Environmental Refugeein which valid claims can be made about environmental refugees is to recognise patterns of absence(s) in the form of traces, masks and voids, following (Stibbe, .. London: Routledge, 2015). Media studies of framing have thus far suggested absence as only a by-product of the framing strategy itself.带来墨水 发表于 2025-3-24 19:20:51
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