无聊点好
发表于 2025-3-25 05:14:42
0302-9743of the 7th International Symposium on Computer Music Modeling and Retrieval, CMMR 2010, held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the
Spongy-Bone
发表于 2025-3-25 08:55:08
Science before the Medieval Period,s described: the whole music system is split into several web services sharing an unique music representation. . is proposed as the interchangeable music data format based on the solid and flexible . representation. A web browser-based graphic environment is developed as the user interface for the Computer Music Cloud as music web applications.
SENT
发表于 2025-3-25 14:24:46
Reading Strasbourg 368: A Thrice-Told Tale to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.
minion
发表于 2025-3-25 19:32:18
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长处
发表于 2025-3-25 21:50:49
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frenzy
发表于 2025-3-26 03:22:45
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Anonymous
发表于 2025-3-26 04:57:01
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支架
发表于 2025-3-26 08:44:42
Pitch Gestures in Generative Modeling of Music the relevant temporal perception literature, the necessary performance elements to add in the metrical generative model, related to the chunk memory, are obtained. In particular, the pitch gestures are modeled as rising, falling, or as arches with positive or negative peaks.
Radiculopathy
发表于 2025-3-26 15:54:56
Conference proceedings 2011ers range from music interaction, composition tools and sound source separation to data mining and music libraries. One chapter is also dedicated to perceptual and cognitive aspects that are currently subject to increased interest in the MIR community.
河流
发表于 2025-3-26 17:51:28
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