丛林 发表于 2025-3-23 10:30:08
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https://doi.org/10.1007/978-3-030-44309-2Photochemical Film; Obsolescence; Experimental Cinema; Celluloid; AestheticsSCORE 发表于 2025-3-24 01:10:39
Kim Knowlesopens up new theoretical perspectives on materialist film.discusses the potential for new kinds of tactile knowledge, privileging process as a form of physical and embodied encounter.uses specific exa价值在贬值 发表于 2025-3-24 03:59:53
Experimental Film and Artists’ Moving Imagehttp://image.papertrans.cn/e/image/318833.jpgLignans 发表于 2025-3-24 10:19:56
Projecting Film, Expanding Cinema,ed film screenings, small-scale festivals and dedicated platforms in larger events provide a context for radical and thoughtful programming outside the mainstream fare of commercial multiplexes and the taste-dictated content of repertory or arthouse cinemas.Judicious 发表于 2025-3-24 11:41:58
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Book 2020for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative rNICHE 发表于 2025-3-24 22:19:52
2523-7527a form of physical and embodied encounter.uses specific exa.This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seei使害羞 发表于 2025-3-25 00:40:12
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