probiotic
发表于 2025-3-21 17:26:21
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发芽
发表于 2025-3-21 22:13:32
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PHAG
发表于 2025-3-22 01:54:30
Exoticising Colonial History: British Authors’ Australian Convict Novels be expected to ‘signal a discourse community’s norms, epistemology, ideology, and social ontology’ (Berkenkotter and Huckin, 1993, p. 475). Since 1830, Australia has continued to develop its own brand of historical fiction in the convict novel, which now encompasses more than eighty texts by Austra
synovitis
发表于 2025-3-22 05:21:25
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进步
发表于 2025-3-22 08:51:13
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Microaneurysm
发表于 2025-3-22 14:13:51
‘It’s like gold leaf, and now it’s rising, peeling away’: Britishness and Exoticism in Sarah Waters’ian romps’ (Waters, 2002, n.p.) for a more historically charged setting — London in the 1940s.. The radical change of period allows indeed for a very different intensity: the colourful, Dickensian atmosphere of . (1998) or . (1999) is replaced with the depiction of the drab living conditions of wart
Microaneurysm
发表于 2025-3-22 20:45:04
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Lice692
发表于 2025-3-23 00:10:52
Neo-Victorian Experiments with (Natural) History in Harry Karlinsky’s eturning to, that of the debate and controversy surrounding Charles Darwin’s publication of . (1859). A number of recent neo-Victorian novels have indeed re-imagined the life and work of the nineteenth-century scientist, creatively re-staging both Darwin’s discovery of evolution and its aftermath..
符合国情
发表于 2025-3-23 01:51:10
‘Who Do You Think You Are Kidding?’: The Retrieval of the Second World War in Kazuo Ishiguro’s , and, Mr Hitler?’ performed by Bud Flanagan. This song includes the lines: ‘e are the boys who will stop your little game/We are the boys who will make you think again’. Many believe it to be a song from the 1940s, due no doubt to the authentic musical arrangement, and the voice of Flanagan, a singer
手术刀
发表于 2025-3-23 07:31:31
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