tackle
发表于 2025-3-23 13:07:40
978-3-030-45994-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
Morose
发表于 2025-3-23 16:03:47
,Curated Realism: ,’s Authenticity,he book, namely, ‘authenticity’, ‘realism’, and ‘curated realism’, this preliminary examination details the three key spheres of authenticity on display across .: authentic language, authentic characters, and authentic location. The chapter also examines . the series is authentic for and the relatio
LUMEN
发表于 2025-3-23 19:06:28
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本土
发表于 2025-3-23 23:38:55
,Superheros, Dickens, and Uncertain Endings: ,’s Authentic Characters,s, their fictional doppelgängers, and the actors that play the roles. This chapter then (re)examines the veracity of likening .’s characters with the ‘Dickensian’, arguing that it is a mistake to compare the nineteenth-century novelist’s treatment of characters with that of Simon’s modern television
BUOY
发表于 2025-3-24 05:57:26
,‘Dante’s Hell’: , and the Authentic Representation of Baltimore,resented on .. It is shown that it is Simon’s focus on an authentic portrayal of a recognisable and distinct region, which differentiates itself geographically, socially, and culturally from other locations, that forms an integral part of the series realism. Finally, through the authentic soundscape
尖酸一点
发表于 2025-3-24 10:22:56
https://doi.org/10.1057/9780312299071 series. Finally, the chapter offers a critique of the curated nature of characterisation through a case study of the two most romantic figures of the entire series: Omar Little, played by Michael K. Williams, and Reginald ‘Bubbles’ Cousins, played by Andre Royo.
COKE
发表于 2025-3-24 14:31:08
Prospect: Future lines of research, mirroring the real-life inner-city setting, and the ways in which the camera and editing eschews the use of flashback, dream-like scenes, and a host of formal self-reflexive visual devices, this chapter examines the audial and visual production of .’s realism.
placebo
发表于 2025-3-24 16:37:20
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Anticlimax
发表于 2025-3-24 21:50:32
,‘Dante’s Hell’: , and the Authentic Representation of Baltimore, mirroring the real-life inner-city setting, and the ways in which the camera and editing eschews the use of flashback, dream-like scenes, and a host of formal self-reflexive visual devices, this chapter examines the audial and visual production of .’s realism.
Ringworm
发表于 2025-3-25 02:24:12
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