猛然一拉
发表于 2025-3-23 12:45:59
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Aura231
发表于 2025-3-23 16:54:22
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Colonoscopy
发表于 2025-3-23 21:56:21
Pyjama Fandom: Watching Eurovision Down Under performed as an interval act in Copenhagen. Since 2016, when Australia has been allowed to vote in the ESC as well as perform, the “live broadcast” of the ESC has taken place on SBS from 5.00 a.m.—marking a departure from the previous delayed telecast, which had been in the “prime time” slot from 8
Interdict
发表于 2025-3-24 01:29:17
Chris Hay,Jessica CarnielThis is the first collection of interdisciplinary scholarship on Australia and Eurovision from predominantly Australian scholars.Presents a timely intervention into questions of Australian national id
Lime石灰
发表于 2025-3-24 02:49:48
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CRAMP
发表于 2025-3-24 10:34:49
978-3-030-20060-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
Default
发表于 2025-3-24 11:54:03
https://doi.org/10.1007/978-3-030-20058-9Eurovision; Music; Migration; Eurovision Song Contest; Music performance; Australian music
Factorable
发表于 2025-3-24 16:15:42
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Malfunction
发表于 2025-3-24 22:06:48
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Palpate
发表于 2025-3-25 02:20:23
Indrajit Chowdhury,Shambhu P. Dasguptaal and political history of Australia and Europe. The first section demonstrates that Australia’s history in the ESC goes back to the very beginnings of the contest in the late 1950s, when Australia’s cultural and political orientations were still overwhelmingly British. The second section discusses