CLAP
发表于 2025-3-28 16:15:51
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aquatic
发表于 2025-3-28 20:45:54
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MERIT
发表于 2025-3-28 23:02:03
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Deceit
发表于 2025-3-29 06:18:41
https://doi.org/10.1007/978-3-030-01833-7audio production, inspire each other and make business contacts for the future. The first edition of . took place in November 2014, when 140 attendees from all over the world arrived at Kilfinane. . combines approaches to so-called creative audio both from the European point of view and from the ove
较早
发表于 2025-3-29 08:14:47
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Forehead-Lift
发表于 2025-3-29 13:26:34
https://doi.org/10.1007/978-3-030-48810-9, however, that in the golden era of the feature genre, there were multiple directions or schools of feature. Braun preferred the one that, in essence, represented “writing with sound”, while others focused more on working with music or a smaller number of characters.
jungle
发表于 2025-3-29 16:55:53
Katsushi Ikeuchi,Daisuke Miyazakiimony of Peter Leonhard Braun, the founder of the IFC, who describes the very beginnings of feature making in Europe. Even though the conference celebrated 50 years of its existence in 2024, this book is the first ever to describe it in such great detail.
Neuropeptides
发表于 2025-3-29 21:54:34
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平静生活
发表于 2025-3-30 01:50:22
Radio Documentary,encompasses should, first and foremost, be objective: the documentary strives for balance and objectivity, with the maker staying on the background of the presented topic. Reková discusses the methods used for recording documentaries, the rules of their production, the characteristics of the genre a
SNEER
发表于 2025-3-30 07:26:03
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