Creatinine-Test
发表于 2025-3-25 06:15:42
Introduction: The Identity of European Cinema,ne the territory of European cinema in the twenty-first century. They do so by building on extant scholarship to create a picture of a field impossible to delimit but characterised by diversity and difference, marked by complex production and funding landscapes, caught between oppositions to and ada
Conflict
发表于 2025-3-25 08:23:28
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lattice
发表于 2025-3-25 12:52:20
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absorbed
发表于 2025-3-25 19:14:03
Questioning the ‘Normality Drama’: The Representation of Disability in Contemporary European Filmsee European films, which have, as their theme, the life of a physically disabled character: . (Alejandro Amenábar 2004), . (Julian Schnabel 2007) and . (Olivier Nakache and Éric Toledano 2011). The discourse of disability in these films follows a trajectory, which is examined in relation to Paul Dar
genesis
发表于 2025-3-25 22:35:36
Ecocritical Perspectives on Nordic Cinema: From Nature Appreciation to Social Conformismficant hallmark of ‘national cinema’, often acting as a means to demonstrate the ‘natural’ constitution of national narratives. Kääpä outlines the diverse ways in which the environment has been appropriated for these purposes, as well as the means through which these appropriations have been present
Bumptious
发表于 2025-3-26 01:59:20
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deforestation
发表于 2025-3-26 04:17:52
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Misgiving
发表于 2025-3-26 09:24:17
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reserve
发表于 2025-3-26 16:04:14
The Latest European New Wave: Cinematic Realism and Everyday Aesthetics in Romanian Cinemathe 21st Century’ list. The analysis of this particular film is contextualized in the overall history of Romanian national cinema and showcases its relevance in international film culture. The overall purpose of Pop’s chapter is to identify the aesthetic, narrative and cinematographic attributes tha
吹气
发表于 2025-3-26 17:47:41
Between Transnational and Local in European Cinema: Regional Resemblances in Hungarian and Romanian two of its small- to medium-sized neighbouring industries, those of Hungary and Romania, while presenting a comparative analysis of one film from each of the industries. The Oscar-winning Hungarian . (László Nemes 2015) and Romanian Berlin Bear-winning . (Radu Jude 2015) each gathered the largest do