ISH
发表于 2025-3-21 19:25:33
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蹒跚
发表于 2025-3-21 23:11:07
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osteocytes
发表于 2025-3-22 03:46:55
Policies for Independent UK Film in Europe Post-BrexitK film industry (Spicer 2019). There are also numerous practical ramifications for ‘producers, public film funds, regulators and service providers’ due to the way national classification can dictate the applicability of various regulatory rules and opportunities (European Audiovisual Observatory 202
砍伐
发表于 2025-3-22 07:56:16
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急急忙忙
发表于 2025-3-22 11:40:18
2634-615X lm industry is responding to the digital revolution..Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com..978-3-031-42184-6978-3-031-42182-2Series ISSN 2634-615X Series E-ISSN 2634-6168
ungainly
发表于 2025-3-22 13:12:46
Policy and Regulation of Global SVOD Platforms in Franceetween cultural and media policies tend to be blurred. Since Netflix’s arrival in 2014, global SVOD platforms operating in France have made a decisive contribution to transforming an exceptionally structured and regulated ecosystem, calling for an adaptation of the policy and regulatory framework to
ungainly
发表于 2025-3-22 21:07:48
New Directive, Old Principles: EU Film Policy, Small National Cinemas and the Case of Portugal-19 pandemic, the Portuguese parliament approved a new cinema law. Prompted by the European Commission’s (EC) 2018 Audiovisual Media Services Directive (AVMSD), this legislative process generated national debate about how protective the law should be – or indeed could be - given the guidelines estab
Cupidity
发表于 2025-3-23 01:05:10
Policies for Independent UK Film in Europe Post-Brexitave experienced considerable internal and external evaluation regarding their continued European identity. This has permeated all levels of debate over Brexit alongside the myriad practical issues that have accompanied the process of the UK leaving the European Union (EU). For the UK film industry,
Landlocked
发表于 2025-3-23 05:07:37
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启发
发表于 2025-3-23 06:41:06
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