伴随而来
发表于 2025-3-23 11:03:42
From Socialist Realism to Postmodernism: Polish Martial Law of 1981 in Polish and Foreign Films,geneous experience of collective labour, regarding it as a myth created by Western left-leaning artists and intellectuals, largely as a means to articulate and defend their own intellectual position. Instead, he proposes to avoid such generalisations by looking at communism and its memory as country
critique
发表于 2025-3-23 14:59:18
Goodbye Lenin or Not: Cinematic Representations of the End of Communism,nt in the history of humanity had yet presented itself as ., thereby inaugurating the space that is now ours and that today is reaching its limits, the limits of the earth and the limits of the political’ (Derrida 1994: 38). Derrida thus points to two reasons why it is essential to discuss the end o
resilience
发表于 2025-3-23 21:38:42
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Nausea
发表于 2025-3-23 22:55:54
Introduction: Is the Past a Foreign Country?,mbiguous and therefore their meanings divide contemporary historians. Explaining their meanings will also allow me to locate my book within a number of debates concerning the status of history and its relation to cinema.
Confound
发表于 2025-3-24 02:53:43
,‘Our Hitler’: New Representations of Hitler in European Films,as one of the most mysterious historical personas. The details of his real life, the workings of his mind, as well as the significance of his personal views and actions for the course of the history of the twentieth century are the subject of controversies filling hundreds of books and articles.
无动于衷
发表于 2025-3-24 08:06:57
n twentieth-century European history. This includes the Second World War, Armenian Genocide, anti-Semitic attacks in Poland, European terrorism of the 1970s, and the end of communism.978-1-349-36818-1978-0-230-31954-7
乐章
发表于 2025-3-24 13:52:39
https://doi.org/10.1007/978-3-642-94376-8mbiguous and therefore their meanings divide contemporary historians. Explaining their meanings will also allow me to locate my book within a number of debates concerning the status of history and its relation to cinema.
opportune
发表于 2025-3-24 17:07:44
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Granular
发表于 2025-3-24 21:59:21
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transient-pain
发表于 2025-3-25 02:29:25
Frankreich und die Einheit Deutschlandso terms with the memory of communism has been impossible without dealing with the memory of anti-communism and its various forms. What continues to be politically explosive is not how communism is to be remembered but how resistance and open struggle against communism are to be remembered’ (ibid.: 132).